My work deconstructs the foundations of a single space in order to construct a new, impossible space. By creating a second, virtual layer to the volume of the physical space I am commenting on the tangibility of reality and space. Through the use of video projection I am controlling the sequential transformation of the space which will hopefully invite the viewer to participate in placing themselves within this space and may lead them to question the origin and reality of what they are looking at.
Sunday, March 20, 2011
Artist Statement
The last time I posted my statement was in November, and it has changed somewhat since then.
Sunday, March 13, 2011
Deconstructed Model
When layered upon each other, the spaces left behind from model-making are interesting to look at; they retain powerful components of the negative space of the model. I created this concept digitally in order to project back into the space that the model was based on.
Wednesday, March 9, 2011
(UdK Berlin)Extracts of Local Distance - Images
(UdK Berlin) Extracts of Local Distance
Deconstructivism through technology.
"an object is taken apart, decomposed and shaped in a new way."
(taken from the Extracts of Local Distance website)
Countless fragments of existing architectural photography are merged into multilayered shapes. The resulting collages introduce a third abstract point of view next to the original ones of architect and photographer.
Digital scans of analogue architectural photography form tiny pieces of a large resulting puzzle. The original pictures are being analysed and categorised according to their vanishing-points and shapes. Based on this analysis, slices are being extracted from the source image. These slices retain the information of their position corresponding to their original vanishing-point and thus form a large pool of pieces, ready to be applied to new perspectives and shapes.
Using the extracted image segments, it is now possible to form collages of originally different pictures with a new common perspective. In order to compose a collage, a perspective-grid is defined and a lining of matching image segments is being applied. The segments are not altered to match the frame but fitting ones are chosen from the sheer mass of possible pieces. By defining additional keywords which describe the content of the original photographs, the selection of segments used for the final composition can be influenced. Thus a contextual layer is added through the semantic linking with the source material.
The recompositions mix and match the views and perspectives of both the architect and the photographer with a third, newly chosen frame. The resulting fine-art prints are entirely unique each time.
"an object is taken apart, decomposed and shaped in a new way."
(taken from the Extracts of Local Distance website)
Countless fragments of existing architectural photography are merged into multilayered shapes. The resulting collages introduce a third abstract point of view next to the original ones of architect and photographer.
Digital scans of analogue architectural photography form tiny pieces of a large resulting puzzle. The original pictures are being analysed and categorised according to their vanishing-points and shapes. Based on this analysis, slices are being extracted from the source image. These slices retain the information of their position corresponding to their original vanishing-point and thus form a large pool of pieces, ready to be applied to new perspectives and shapes.
Using the extracted image segments, it is now possible to form collages of originally different pictures with a new common perspective. In order to compose a collage, a perspective-grid is defined and a lining of matching image segments is being applied. The segments are not altered to match the frame but fitting ones are chosen from the sheer mass of possible pieces. By defining additional keywords which describe the content of the original photographs, the selection of segments used for the final composition can be influenced. Thus a contextual layer is added through the semantic linking with the source material.
The recompositions mix and match the views and perspectives of both the architect and the photographer with a third, newly chosen frame. The resulting fine-art prints are entirely unique each time.
Extracts of Local Distance from STOESELTNTPRO on Vimeo.
Friday, March 4, 2011
R U I M T E R U I S
I came across their blog today and found it very inspiring. They use this blog as a "creative outlet to test design ideas"
"The focus is on form & space, architectural surfaces, light & shadow."
I particularly like their Kienitzer post...
...their Isocubes post...
...and their Cubrigg2 post.
But go to their blog for more works and also Pieter Van den Dorpe's blog, the man behind R U I M T E R U I S.
"The focus is on form & space, architectural surfaces, light & shadow."
I particularly like their Kienitzer post...
...their Isocubes post...
...and their Cubrigg2 post.
But go to their blog for more works and also Pieter Van den Dorpe's blog, the man behind R U I M T E R U I S.
Davy and Kristin McGuire
This couple employ an innovative use of sets with projections and video works. They have opened my eyes to the possibilities of layering with programs such as Adobe After Effects and incorporating these with live action.
Here are links to Davy McGuire and Kristin McGuire's separate websites.
The Ice Book from Davy and Kristin McGuire on Vimeo.
Compositing Reel from Davy and Kristin McGuire on Vimeo.
Here are links to Davy McGuire and Kristin McGuire's separate websites.
Experimental Use of Projections
My work has begun to change, finally!
Because my work is based around constructing impossible spaces for the viewer to become immersed in, I feel that the use of projection will heighten the intensity of this experience. A space that cannot be touched physically may add to their questioning of the reality and origin what they are looking at.
I have been looking at the work of Pablo Valbuena.
Because my work is based around constructing impossible spaces for the viewer to become immersed in, I feel that the use of projection will heighten the intensity of this experience. A space that cannot be touched physically may add to their questioning of the reality and origin what they are looking at.
I have been looking at the work of Pablo Valbuena.
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